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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">uzspbgmu</journal-id><journal-title-group><journal-title xml:lang="ru">Учёные записки Первого Санкт-Петербургского государственного медицинского университета имени академика И. П. Павлова</journal-title><trans-title-group xml:lang="en"><trans-title>The Scientific Notes of the Pavlov University</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1607-4181</issn><issn pub-type="epub">2541-8807</issn><publisher><publisher-name>Academician I.P. Pavlov First St. Petersburg State Medical University</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.24884/1607-4181-2017-24-4-21-28</article-id><article-id custom-type="elpub" pub-id-type="custom">uzspbgmu-438</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ОБЗОРЫ И ЛЕКЦИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>REVIEWS AND LECTURES</subject></subj-group></article-categories><title-group><article-title>ПЕРСПЕКТИВЫ ПРИМЕНЕНИЯ ПОДХОДА «РАЗВИВАЮЩИЙ ТАНЕЦ» В НЕЙРОРЕАБИЛИТАЦИИ</article-title><trans-title-group xml:lang="en"><trans-title>PROSPECTS FOR IMPLEMENTATION THE «EDUCATIONAL DANCE» APPROACH IN NEUROREHABILITATION</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Трофимова</surname><given-names>А. Е.</given-names></name><name name-style="western" xml:lang="en"><surname>Trofimova</surname><given-names>A. A.	E.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Александра Евгеньевна Трофимова - специалист по развивающему танцу.</p><p>Санкт-Петербург</p></bio><bio xml:lang="en"><p>St. Petersburg</p></bio><email xlink:type="simple">sashatrofimova@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Харитонова</surname><given-names>Т. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Kharitonova</surname><given-names>T. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Татьяна Витальевна Харитонова - отдел организации скорой медицинской помощи, старший научный сотрудник.</p><p>Будапештская ул., д. 3, лит. А, Санкт-Петербург, 192242</p></bio><bio xml:lang="en"><p>Tatyana V. Kharitonova.</p><p>Budapeshtskaya street, 3, A, Saint-Petersburg, 192242</p></bio><email xlink:type="simple">tvh2001@mail.ru</email><xref ref-type="aff" rid="aff-2"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Студия танца «Мастерская «АТэ»</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Dance Studio «ATe Workshop»</institution><country>Russian Federation</country></aff></aff-alternatives><aff-alternatives id="aff-2"><aff xml:lang="ru"><institution>Государственное бюджетное учреждение «Санкт-Петербургский научно-исследовательский институт скорой помощи имени И. И. Джанелидзе» Комитета по здравоохранению Правительства Санкт-Петербурга</institution><country>Россия</country></aff><aff xml:lang="en"><institution>St. Petersburg Research Institute of Emergency Medicine named after I. I. Dzhanelidze</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2017</year></pub-date><pub-date pub-type="epub"><day>30</day><month>12</month><year>2017</year></pub-date><volume>24</volume><issue>4</issue><fpage>21</fpage><lpage>28</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Трофимова А.Е., Харитонова Т.В., 2017</copyright-statement><copyright-year>2017</copyright-year><copyright-holder xml:lang="ru">Трофимова А.Е., Харитонова Т.В.</copyright-holder><copyright-holder xml:lang="en">Trofimova A.A., Kharitonova T.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.sci-notes.ru/jour/article/view/438">https://www.sci-notes.ru/jour/article/view/438</self-uri><abstract><p>Танцевально-двигательная терапия является направлением арт-терапии, в котором танец и движение используются для улучшения ряда параметров повседневного функционирования индивида, улучшая его физическое и эмоциональное состояние, в особенности в пожилом возрасте, когда интенсивные нагрузки находятся за пределами его физических возможностей. Регулярно танцующие пожилые люди обладают бóльшей гибкостью, постуральной стабильностью, балансом, временем реакции и когнитивными возможностями, по сравнению с людьми того же возраста, которые не занимаются танцами. Приводятся данные о положительном опыте применения танцевальной терапии как метода реабилитации у пациентов и субъектов пожилого возраста при различных неврологических и психических заболеваниях. Аргентинское танго является перспективным инструментом метода, поскольку основано на физиологичных для организма человека биомеханических схемах движения, включает элемент импровизации, чем стимулирует нейропластичность, а также задействует социальные, когнитивные, психологические и коммуникативные способности субъекта. Использование в обучении подхода «Развивающий танец» позволяет решать ряд реабилитационных задач: адаптировать субъекта к процессу восприятия новой информации, научиться осознавать свое тело в движении и строить движение на основе обратной связи, добиваться в движении максимальной комфортности, обрести свою уникальную манеру движения, максимально функциональную именно для него; полученный навык осознанного движения может стать фундаментом для дальнейшей реабилитации. Таким образом, аргентинское танго может быть полезным инструментом реабилитации для пациентов с заболеваниями нервной системы, нуждающихся в улучшении двигательных навыков, координации движений, когнитивных и коммуникативных способностей. Кроме того, многообещающим представляется использование аргентинского танго как мотивационного фактора в комплексных программах реабилитации. Влияние танцевальной терапии на психоэмоциональное состояние и качество жизни у пожилых людей требует дальнейшего изучения в этой популяции.</p></abstract><trans-abstract xml:lang="en"><p>Dance movement therapy is a part of art therapy, which implements dance and movement to improve various aspects of a person’s daily functioning, improving his/her physical and emotional state. Dance therapy is especially applicable in older age, when intense stresses are beyond his/her physical capabilities. Elderly people who dance on the regular basis have better flexibility, postural stability, balance, reaction time and cognitive abilities, compared to people of the same age who do not dance. Published evidence support the positive experience of using dance therapy as a method of rehabilitation in elderly patients and subjects with various neurological and mental disorders. Argentine tango represents a promising tool of art therapy, because it is based on biomechanical schemes of movement that are physiological for the human body, includes an improvisation element that stimulates neuroplasticity, and activates social, cognitive, psychological and communicative abilities of the subject. The use of the “educational dance” approach in teaching allows solving several rehabilitation tasks: adaptation of the subject to the process of perception of new information; learning to realize body in motion and build motion on the basis of biofeedback; achievement of maximum comfort during movement and gain a unique manner of movement that is maximally functional for the subject. The acquired skill of conscious movement can become the foundation for further rehabilitation. Thus, argentine tango may be a useful rehabilitation tool for patients with diseases of the nervous system who need to improve motor skills, balance and coordination, and cognitive and communicative capacity. In addition, the use of argentine tango as a motivational factor in comprehensive rehabilitation programs seems promising. The influence of dance therapy on the mood and quality of life in the elderly requires further study in this population.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>танцевально-двигательная терапия</kwd><kwd>арт-терапия</kwd><kwd>нейрореабилитация</kwd></kwd-group><kwd-group xml:lang="en"><kwd>dance movement therapy</kwd><kwd>art therapy</kwd><kwd>neurorehabilitation</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">American Dance Therapy Association. About dance &amp; movement therapy. – 2013. 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